But Bean’s source of comedy is primarily pantomime, slapstick, and frantically prancing about the screen, nearly always accompanied by music. Most of the film is shown through the digital camera he wins along with the trip, which is simultaneously annoying and unnecessary – almost as out of place as the soundtrack, continually spouting contemporary alternative rock music. Of course, losing his bus ticket, hiking through the countryside, getting locked in an outhouse, crashing the set of a high-budget commercial (filmed by Willem Dafoe) and being mistaken for a kidnapper (coincidentally, the boy’s father is a judge at the festival), delays his progress considerably. The odd couple commences begging for change, performing on the streets, and stealing to gain the funds necessary to complete the trip. Their only clue is a telephone number to call once they get there, except that it’s missing the last two digits, forcing them to exhaust every numeric combination via payphones – made more complex when Bean loses his wallet.
In an effort to help the boy reunite with his dad, Bean journeys with him – to Cannes, as luck and contrivance would have it (doubly so when he runs into Sabine, played by Emma de Caunes, also going to Cannes for the Film Festival premiere). His destination quickly gets sidetracked with the wrong taxi, an exquisite lunch, and a kid (Max Baldry) who lost his father at the previous stop of the Eurostar train.
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Bean (Rowan Atkinson) wins a trip to Cannes, France with a free camera – and proceeds to film his misadventure-filled vacation. Bean’s Vacation” for American audiences). Hulot’s Holiday” (the film was originally titled “Mr. Bean, but it has lost the creativity, barely passing as a tribute to Jacques Tati’s “Mr. This particular story is simply a gimmick to allow Bean to traverse French terrain and wind up in awkward situations, most of which are almost completely devoid of humor and originality.
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Bean’s bizarre mannerisms, unintelligible gibberish, and eccentric face contortions, but anyone familiar with Rowan Atkinson’s now-classic British TV show will probably embrace yet another theatrical appearance by the perpetually-suited, wordless buffoon.
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